Archive for the ‘Equipment’ Category

I hope you like it

Thursday, May 20th, 2010

Facebook rolled out their new like buttons a few weeks ago.  I think it’s a good idea to jump on the bandwagon.

The success of the tweet meme button for Twitter may be upstaged by the like button on Facebook to drive traffic and earn new subscribers.  Since Facebook and Twitter account for a large portion of the social media activity online,  I’ve decided to remove Sociable, the popular WordPress plug-in.

Sociable places the social media icons of your choice at the end of each post, encouraging readers to share and enjoy posts.  I don’t think readers use them very much. I also think they clutter my page. I do know people share my blog posts on Twitter daily using the tweet button.  I hope even more readers will “like” my humble blog and podcast and share it with their friends on Facebook.

Speaking of Facebook, I think the popular social media platform could find a new competitor if it continues its cocky attitude toward user privacy. Facebook has more than 400 million users. Facebook is a great source of referrals and traffic – it can’t be ignored.

I created a like button for my site as a whole, but plug-ins are available to create like buttons for each individual post.  I may add this option soon.

What do you think?

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iPad entertainment

Tuesday, April 6th, 2010

The day that changed publishing

Sunday, April 4th, 2010

Yesterday, Apple released to the world a computer tablet called the  iPad.

Fifteen years ago, publishers had a great opportunity to migrate to the World Wide Web. They blew it.

Publishers dismissed the value of the Web and set their prices accordingly. It was common practice for publishers to entice advertisers with publishing contracts in the print medium and offer Web placement at a low-cost or free.

Although traditional publishers didn’t take the Internet seriously, consumers did. As a result, traditional publishing was hit hard.

Today, publishers have a new opportunity. Over the years, they have streamlined and cut their product quality in the name of keeping their 30 percent profit or to stay afloat.  Rather than cut expenses, publishers can invest in delivering quality content. Tablet users want deep and exciting multi-media presentations. Today, if they choose to do so, publishers can once again become competitive with quality writing, imagery and design. All these things disappeared in the last 10 years while publishing operated in survival mode.

Why is this different?

The iPad is not a new, easier-to-use computer. It’s just easy.

The World Wide Web was a great innovation. Unfortunately there were some barriers. In order to get to the Web, you had to have access to a computer and the appropriate software. Windows alone was reason enough for some people — especially older folks — to avoid touching a computer.

Early Web pages, especially in the first years, were not well-designed. Internet navigational skills were not intuitive for most people. Over time, technological advances and design have improved computers and the Internet. Using a computer has become easier, but not easy.

The iPad is easy. All you do is push a button to begin. The tablets are icon-based, thereby providing a more intuitive experience. There is no barrier to the Internet. Simply press the browser icon to get in. Want to read a book, listen to music, watch a movie, or activate a cool application? Again, just push a button.  iPads open the door for those  who have not appreciated the full computer and online experience.

Does this functionality hold value to people? Can you say iPhone?

Sales of  iPhones and other touch-based smart phones prove there is interest in this platform and functionality.  Many of our computer activities have already migrated to our phones. Why? Smart phones are portable and accessible.  Our desktop computers are certainly not easy to carry. Laptops are convenient, but a phone fits in a pocket. The iPad doesn’t fit in a pocket, but it is slim, portable and extremely accessible.

User experiences with the iPad and tablets in general will determine their success. The iPad is better than advertised, based on reports I’ve read. This is good news.

If a $500 iPad has better portability than a standard laptop and all the functionality of the newest smart phone, why wouldn’t it be a hit?

Publishers appear to be thinking the same thing. This is their second chance. This time, they don’t want to miss the boat. Some have so much confidence in the new direction, they are raising their prices.  I believe people will pay for great content for their tablets, however, application prices still have to be reasonable.

The process of purchasing products and services on the Web is a barrier for some people. It can be complex and confusing.  If all purchases, no matter the price, can be made with the click of a button, they are no longer a hassle. The fewer times people have to type their credit card numbers onto a Web site, the less anxiety they will have about online purchases. This easy system will provide a subscription revenue stream for the most inventive and creative publishers.

Advertising will continue to have its place. Although visitor tracking is available on the Web, the perceived value of those ads is still low. The tablet platform is a clean slate. If a publisher can show advertisers that they active subscribers, in this new electronic media – a new high value opportunity for real advertising revenue is now available.

Advertisements in paid publications have higher value than the ones in free publications because the perception is people who pay for something pay attention to it.  Publishers have the analytics to prove it, too.

Plus, interactive advertising will offer increased engagement.

What about photographers?

Increased publishing opportunities will raise demand for high-quality imagery. Average point-and-shoot pictures will not be acceptable outside the community-related sections. Quality design and slick presentations are not served well by  poor or average media.

The oversupply of photography will not diminish. In order to have viable careers, most photographers will need multiple talents, including audio and video skills, in order to supply quality content. Likewise, video people will have to provide  high-quality stills to go with their assignments. Animation and 3-D presentations will continue to be in demand.

These opportunities are not for media publishing alone. They will include corporate publishing and marketing as well. Applications will be developed for business of all sizes. Companies will demand more material for their content-hungry consumers. These consumers  will not be impressed by average or boring presentations on the easy-to-use tablets.

The future

The iPad is not the final chapter in the story of media. It’s just the next step. Fifteen years ago a Web site was a new thing, viewed as a gimmick and not taken seriously by many businesses. Today, companies are not in business if they don’t have a Web site. In the coming years, a company will not be in business if it doesn’t have an application enabling the world to connect to it instantly.

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New Media Photographer Podcast 92

Sunday, March 14th, 2010

This week Rosh talks with Aaron Hockley reporting from SXSW.

  • New Media Photographer: A photographer who publishes to the web.
  • Time: 38:26
  • Podcast hosted by Rosh Sillars
  • This podcast is about new media, social media and digital marketing for the photographer.
  • Topics on this week’s show: New interview section of the show starts next week, SXSW, Wave new extensions gallery, commenting on blogs, selling your photography, Interview with guest Aaron Hockley of social photo talk from SXSW, iPad, location services, Where do the best blog ideas come from?
  • New media photographer comment line link love: Randy on Photography
  • Podcast network commercials from Dave Warner Lensflare35 and Jim Goldstein EXIF and beyond
  • Photography news by Trevor Current: Currentphotographer.comtwitter – @trevor current.
  • Photography news Links:

1. Pentax 645D Medium Format DSLR
2. Canon’s Studio Solution Software for Professional Photography Studios
3. Three imagePROGRAF Large Format Printers from Canon
4. Pictage Announced Their Next-Generation Online Portal
5. Pictage Unveils New Brand Identity and Tag Line
6. Now You Can Add Music to Your Zenfolio Photo Presentations
7. Free Photoshop Plug-ins From onOne Software
8. Canon EF 70-200 f/4.0 L Lens Thermal Mug
9. Canon of Canada Giving Away Lens Travel Mug with eStore Purchase over $200

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Dear publishers,

Thursday, February 4th, 2010

The day has arrived.  You have the opportunity to build a viable industry again.

General world news and published opinion have become commodities. Anyone can publish to the Web. The traditional standard of presentation — print — is dying.

Stock photography is a commodity now that everyone has a digital camera to create good images and our traditional form of presentation — film — has died.

Both photography and publishing  have suffered similar declines.  We are not alone. Many industries have fallen victim to new technology.

We can both benefit from a new direction in publishing. The revolution and opportunity are here  if you take it seriously.

First, I have a question: Why are 50,000 eyeballs in print worth more than 80,000 eyeballs online?  Chances are you are charging for the printed product because it costs more. Are the print ads more effective for your advertisers?  Maybe the ads look better, but it’s hard to cultivate good data on the quality of success other than general assumptions based on sales.

Online ads are cheap in comparison and the data is much stronger. Advertisements and their locations can be adjusted quickly based on the success of published content.

Soon, products such as the Apple iPad will be available to consumers. These new products are innovative, interactive entertainment and information centers. Delivery systems similar to iTunes are being developed for publishers that will allow people to subscribe to your publication.

Will they subscribe?

If you continue down the path of  cutting writers, photographers and designers to make margins, you are doomed. If you continue the practice of  slapping anything between the ads to keep short-term investors’ profits in line, you are doomed.

If a photographer wishes to stay in business today, he has to invest more time, knowledge and money into the products and services he produces.  Photographers need more than the right equipment. Photographers must be highly creative to survive. So do you.

Once the new technology and infrastructure are in place, you must wow your consumer with incredible and unique information.  The layout and design of your publications must be spectacular. The writing needs to be top-notch. The images have to be amazing.

People will not continue to buy average on a monthly or annual basis.  This opportunity is available to local and international publishers. Now is the time to plan. Let the new horse race begin. Make it about creativity and innovation — not about how much can you cut to survive another year. Get ahead of the curve. Invest and prepare to make a profit again.

Rosh

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The modern photographer

Friday, January 22nd, 2010

The modern photographer strives to create new, exciting images.

She uses a digital single lens reflex camera with HD quality video capabilities.  Although good equipment is important, her focus is on lighting and expanding her Adobe Photoshop skills.  She understands that creative vision is what photo buyers are seeking in today’s market. She knows that good mechanical photography technicians are not the photographers hired for major assignments; they shoot volume for micro-stock clients.

The modern photographer is rarely concerned about print distribution. Traditional media no longer has the budget. Print is rarely used by corporate clients. When pricing a commercial job, the first questions she asks are: “How many unique monthly visitors does your Web site receive?” and “How large is your e-mail list?”

All photography usage is now international. Determining the value of a photograph is still based on how many people likely will view the image.

She prices her photography per image. Quality Web sites need a lot more imagery. If she can make more money by doing a great job and selling more images, she doesn’t want to get stuck with a day rate.

Her clients appreciate knowing what they are receiving for their money.  They don’t have to watch the clock or feel she is wasting their time to meet day-rate requirements.  They see the value in each image they select for purchase.

Every quote comes with the offer of video options and editing services.  She knows that every company must tell a story and that social media demands new content. The modern photographer keeps her  clients well-stocked with fresh media.

Big projects often need collaboration. Her clients prefer to use Google Wave to keep all their notes and communications in one place.  Sometimes they have live chats. Wave allows for real-time communication and instant translation necessary for her growing number of international clients.

During every major shoot she takes advantage of her camera’s video capabilities by capturing behind-the- scenes footage and asking clients to offer testimonials.  People love to see how she works and what clients think of her work before contacting her for a potential assignment.

Every day she shares some of her best photography and video (with client blessings) to her social media community.   Most of the people following her love her style and subject matter. They have been well-trained by her on how to find leads and refer her when opportunities become available.

After each assignment she uploads images to her client-dedicated photo galleries. Often the images are proofs for selection or approval before beginning post production.  Other times the final images are available for immediate purchase and download.  Extra images and outtakes may be placed in her personal stock gallery for photo buyers to search.

The modern photographer understands that links are priceless.  Photo credits are good, but in her contract she asks clients to place a direct link under her photos or in another prominent place that will lead viewers to her Web site. She regularly checks Tineye to make sure her most popular images are not being used improperly and that new Creative Commons users are properly linking to her Web site as requested in the use agreement.

Most of her billing is automated.  Money is transferred into her bank account as images are downloaded. Her online accounting system  is encrypted within the Cloud.

In addition, she enjoys displaying some of her favorite artistic images at the local coffee shop.  Patrons use their smart phones to read the bar code below her prints to buy copies of the image hanging on the wall. The process is quick and seamless. Once notified of the sale, she sends a thank you note.

Your phone is giving away your secrets.

Friday, January 15th, 2010

A friend of mine broke his BlackBerry.  He decided to purchase a new one from eBay.  The sale went well.

While we were looking at his new phone and reviewing his schedule to set up a meeting, a message popped up on the screen.  His calendar notified him about an upcoming event. My friend quickly dismissed it, noting that it was not for him. The message was a leftover from the phone’s previous owner.

We were able to learn quite a bit about the phone’s previous owner because all of her social media applications were still intact. She is lucky my friend is an honest, ethical person. He would never take advantage of the personal information he acquired with the purchase of this phone.

As we continue to organize our lives and consolidate our personal information into electronic devices that slip into carrying cases, purses and jacket pockets, we also increase the chances of exposing that sensitive material to strangers. Along with streamlining information comes the need to protect it from opportunists and thieves.

Unfortunately, it seems like some people are still being careless when they upgrade their hardware. They are unwittingly giving away their lives to strangers.  Always erase information on large and small computers before you sell, recycle or give them away.  This includes your phone.

Rosh

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New Media Photographer Podcast 75

Monday, November 16th, 2009

This week Rosh talks about the Royal Oak photowalk, adwords, the web site and iphoneography.

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Twelve unique cameras

Thursday, October 8th, 2009

Cameras are fun and exciting again.

Now that digital cameras are commonplace (offering more megapixels than most photographers need), video is becoming standard and ISOs are going through the roof — it’s time have fun with new features, design and style in our cameras.

There are more tools than ever for the new media photographer to enjoy. Listed below are some new cameras released in 2009 to get your creative juices flowing.

Fujicopy

Fuji released a 3D camera on Oct. 1 in the United States. I discussed it on the New Media Photographer podcast last Monday.  It’s a good start toward the future of photography.  Unfortunately, you can only view the images on the back of the camera or with special viewer.  Prints can be made — but they have to be done in  Japan.

coolpix

A big thank you to our New Media Photographer friend, Lucian.  He pointed out the Nikon Coolpix S1000PJ, which is a 12.1 megapixel camera with a build-in projector to display images.

Samsung is hot and full of innovation with their new camera lines, so I’ll mention three of them:

Samsung has  heard and answered the call of the modern age and the social media community with the release of the dual view camera. This camera allows people to see themselves on the front of the camera while taking a self portrait.
Samsung HZ25W (via DPreview) with 24x optical zoom lens.  This is good camera for parents taking photos on the sidelines.  Wildlife enthusiasts will also find the long zoom lens useful.

Samsung also recently released its camera and a phone with a 12 megapixel camera with shutter release, 3x optical zoom and camera controls.

The Sony Cyber-shot DSC-G3 digital still camera has Wi-Fi and Web browser built into the camera for easy photo sharing.

Polaroid is still offering instant photos with the 5 mega pixel Polariod PoGo.  This digital camera spits out 2×3 prints in Polaroid style.

redpentaxnmp

If you have been looking for a red SLR camera, you are in luck. Pentax is offering the reasonably priced and stylish K-x in red, white and navy blue.

Olympus TOUGH 8000 one of a number of durable cameras from Olympus.  They claim it is shock proof from over 6 feet, waterproof to the depth of 33 feet,  freeze proof to 14 degrees F  and offers image stabilization.  This camera is perfect for the extreme athlete or a clumsy member of your family.

minoxnmpMinox DCC 5.0 The White Edition is a tiny, retro-styled nicely styled range-finder digital camera.

The Optio W80 is the Pentax version of the clumsy person’s camera.  It’s designed for dropping, submerging and freezing. They add a little style with color options such as red, blue and gray.  If you are looking for purple, you will have to consider the waterproof  Optio WS80.

Note many of the major brands are offering durable cameras, the above cameras were the first to catch my attention.

Sony Webbie HD camera is Sony’s compact video and still camera.  It’s designed for fun and ease of use.  This camera also comes in three colors: orange, silver and purple.